Pictures at an Exhibition
Choreography
Alexei RatmanskyMusic
Modest MussorgskySet against a backdrop of ever-shifting Wassily Kandinsky watercolors, Pictures at an Exhibition brings ten dancers together in dynamic formations, expressing a range of emotions.
Premiering at New York City Ballet in the fall of 2014, this ballet is set to Modest Mussorgsky’s iconic piano suite, the production features lighting by Mark Stanley and projections of Kandinsky’s Color Study: Squares with Concentric Circles, designed by Wendall K. Harrington. The dancers, adorned in designer garments by fashion designer Adeline André—one of Ratmansky’s frequent collaborators—bring this visually and emotionally rich piece to life.
Ballet in a Box
The Choreographer
The Choreographer
Alexei Ratmansky (b. 1968) is a world-renowned choreographer known for his groundbreaking work in both classical and contemporary ballet. Born in St. Petersburg, Russia, Ratmansky trained at the Bolshoi Ballet School and later became the Artistic Director of the Bolshoi Ballet. His choreographic style blends technical virtuosity with a deep understanding of storytelling, earning him acclaim for works that push the boundaries of ballet while honoring its rich tradition.
Ratmansky’s repertoire spans from full-length ballets to innovative short pieces, with notable works created for major companies like New York City Ballet, American Ballet Theatre, the Royal Danish Ballet, and the Mariinsky Ballet. Recognized globally for his artistry, Ratmansky’s work continues to inspire dancers and audiences alike, cementing his legacy as one of ballet’s most influential voices.
The Composer
The Composer
Modest Mussorgsky (1839–1881) was a trailblazer of Russian classical music, Modest Mussorgsky was a key member of The Russian Five, dedicated to creating a uniquely Russian sound. Best known for his opera Boris Godunov and the piano suite Pictures at an Exhibition, his music is bold, emotional, and deeply expressive.
Originally trained for a military career, Mussorgsky left the army to pursue his passion for composition. He crafted powerful works like The Nursery and Songs and Dances of Death, capturing vivid storytelling through music. At his passing, he was working on Khovanshchina, later completed by Nikolai Rimsky-Korsakov. His legacy endures through his groundbreaking, deeply evocative music.
The Costume Designer
The Costume Designer
Adeline Andre is a French Designer born in 1981. Adeline worked as an assistant to creative director Marc Bohan at Christian Dior in 1970. Her style is known for being minimalistic. She went on to open her own Fashion Couture House, where she created her most famous fashion innovation the “three-hold garment.”
It is still showcased in collections in Paris, the Fashion Institute of Technology in New York and the Fashion and Design Museum in Lisbon. In the 90s André became an invited member of the Syndicate Chamber of Parisian Haute Couture.
The Artist
The Artist
Wassily Kandinsky (1866-1944) was a Russian painter, art theorist, and pioneer of abstract art. Kandinsky saw art as an expression of deep emotion, transcending the physical world, and conveyed this idea through his use of color and form.
Ratmansky chose Kandinsky’s Color Study: Squares with Concentric Circles (1913) as the backdrop for Pictures at an Exhibition. In Concentric Circles, Kandinsky explores the interplay of form and color, creating a visual rhythm that mirrors the ballet’s emotional contrasts. The circle, a recurring motif in his work, represents both harmony and tension.
The Projections
The Projections
Tony Award-winning projection designer Wendell K. Harrington brings Kandinsky’s work to life by enlarging and breaking down the painting into individual shapes and brushstrokes, letting the artwork flow and breathe with the choreography.
Ballet Credits
Ballet Credits
Choreography
Alexei Ratmansky
Music
Modest Mussorgsky
Costumes
Adeline Andre
Lighting
Mark Stanley
Projection Design
Wendall K. Harrington
Pointe of Interest
This ballet is the ultimate artistic mashup—a Gesamtkunstwerk (guh-ZAHM-KOONST-verk), a German term meaning “total work of art,” where music, movement, and visuals merge into one immersive experience.
Each little piece in this suite has its own character, its own story, its own world... The dancers are, in a sense, like colors in this painting.
Lend your ears to music, open your eyes to painting, and... stop thinking! Just ask yourself whether the work has enabled you to 'walk about' into a hitherto unknown world.
Pointe of Interest
Kandinsky believed music and painting were deeply connected, and claimed he could “hear” colors and “see” sounds—a phenomenon known as synesthesia.