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Deuce Coupe
Company Premiere

Deuce Coupe

(1973)

Choreography

Twyla Tharp

Music

The Beach Boys
32 minutes

Twyla Tharp’s Deuce Coupe is considered the first crossover ballet, blending classical ballet with contemporary social dance. Commissioned by Robert Joffrey for The Joffrey Ballet, the piece premiered in 1973, set to 14 songs by The Beach Boys. The work merges everyday gestures with ballet vocabulary, creating a unique and energetic theatrical experience. A solo dancer performs a alphabetic (but not-so-straightforward) sequence of classical ballet steps, beginning with Ailes de pigeon and progressing to Voyagé in an unexpected, free-spirited way.

Deuce Coupe is a "vividly American dance" (New York Times) that celebrates dynamic spontaneity, marking a revolutionary moment in the evolution of ballet.

Ballet in a Box

The Choreographer

Twyla Tharp (b. 1941) is an American choreographer and dancer, renowned for her innovative fusion of ballet, jazz, and modern dance. With a career spanning more than five decades, Tharp has created over 160 works for stage, film, and television. She is best known for her groundbreaking choreography for both ballet companies, such as The Joffrey Ballet and American Ballet Theatre, and for commercial projects, including her work on Broadway, film, and music videos. Tharp’s choreography is characterized by its dynamic energy, intricate movement, and bold exploration of diverse dance genres. Among her notable works are Deuce Coupe (1973), In the Upper Room (1986), and Movin’ Out (2002), a Broadway musical set to the music of Billy Joel. She has received numerous accolades throughout her career, including multiple Tony Awards, Emmy Awards, and a Presidential Medal of Freedom. Tharp’s influence on the dance world is immeasurable, and she continues to be a pioneering figure, pushing the boundaries of dance and redefining what is possible on stage.

The Sequence

Set to the iconic music of The Beach Boys, Twyla Tharp’s Deuce Coupe blends classical ballet with contemporary social dance. A dancer moves through an alphabetical sequence of ballet steps, each set to a different Beach Boys track, creating a dynamic fusion of tradition and spontaneity. Here’s how the sequence unfolds:

“Matrix” I – Ailes de pigeon through Attitude
“Little Deuce Coupe” – Balancé through Ballon
“Honda” I – Balloné battu through Déboulés
“Honda” II – Changement de pieds through Dégagé à la quatrieme devant en l’air
“Devoted to you” – Dégagé en tournant (see: Détourné en l’air, rotation) through Failli
“How She Boogalooed It” – Faux through Manège, en
“Matrix” II – Pas de basque sur les pointes through Pas de chat
“Alley Oop” – Pas de cheval through Répétition
“Take A Load Off Your Feet” – Retiré through Sissonne tombée
“Long Tall Texan” – Six through Suite, de
“Papa Ooh Mau Mau”
“Catch A Wave”
“Got to Know the Woman” – Temps de cuisse through Temps lié
“Matrix” III – Temps lié, grand through Voyagé
“Don’t Go Near the Water”
“Matrix” IV
“Mama Says”
“Wouldn’t It Be Nice”
“Cuddle Up” – The Pas

Music

The Beach Boys are an iconic American rock band formed in Hawthorne, California, in 1961. Known for their harmonious sound, surf rock anthems, and innovative approach to pop music, they became a defining force of 1960s American culture. Their timeless hits like "Surfin' USA," "Good Vibrations," and "Wouldn't It Be Nice" are embedded in the fabric of popular music history. The band's music, with its bright melodies and carefree spirit, provides the perfect backdrop for Twyla Tharp’s Deuce Coupe, blending their upbeat, surf-influenced sound with classical ballet in a groundbreaking fusion of music and movement.

Ballet Credits

Choreography

Twyla Tharp

Music

The Beach Boys

Arranged by David Horowitz

Company Premiere

2026

Costume Design

Scott Barrie

Set Design

United Graffiti Artists

Lighting Design

Jennifer Tipton